The film stars Ritesh Deshmukh, Arshad Warsi, Javed Jaffrey, and Ashish Chaudhary as a bunch of jobless, down-on-their-karma no-gooders who go looking for a ten-crore rupee treasure they find out about from a dying mob boss. It just so happens, the mystery of this concealed fortune additionally achieves the ears of a crooked cop, played by Sanjay Dutt. So now you have five guys traveling toward this stacked-away cash, each experiencing crackpots en route, each attempting to achieve the area before the others so he can guarantee everything himself. What’s reviving about Dhamaal is the way that it doesn’t fall into any of the snares that ongoing hits in the comic classification – Partner and Heyy Babyy capitulated to – it’s not disgusting, it isn’t loaded with chauvinist jokes, the exchanges aren’t dumb, and you don’t feel like the stiflers are being extended endlessly. In fact, Dhamaal is the copy of the evergreen Hollywood hit film, It’s A Mad World.
Dhamaal works basically because it’s a cleverly composed film that moves energetically starting with one muffle then onto the next, leaving you with scarcely whenever in the middle of to stop and ponder. And even though you can follow back a few of the jokes to famous American movies like Starsky and Hutch, Road Trip and even the Mr Bean TV series, it’s the way wherein these jokes meet up in the screenplay that merits credit. Take Ritesh Deshmukh’s right on target impersonation of Sanjeev Kumar, or Vijay Raaz’s extremely valuable flying instruction to Ashish Chaudhary and Asrani, or even that scene wherein Arshad Warsi and Javed Jaffrey hitch a ride with an over-energetic Tamilian who demands imparting to them the full length of his name – it’s minutes like these, and numerous other, that make Dhamaal such a simple delight. Of the cast, it’s without uncertainty Javed Jaffrey who towers over the others with his exhibition as the boneheaded child-man. His is effectively the best-written script in the film, and Javed doesn’t botch the chance to drain it for all its conceivable comic potential. Sanjay Dutt, in the interim, isn’t so much a piece of the parody as he is the impetus for quite a bit of it, and he’s unmistakably the best man for that activity.
Take those scenes wherein he’s caught with a transport brimming with shouting children, and watch how he creates such poker-confronted humor. Barely two hours in length, scarcely whenever squandered on pointless tunes, and shockingly, the total nonattendance of any sentimental track – there’s such a great amount to like about Dhamaal. At that point that is three out of five and an appreciation for filmmaker Indra Kumar’s squeaky-clean satire Dhamaal. At times, a great chuckle is all you have to fill your heart with joy. Try not to miss this one, great laughter is ensured.
All things considered, this doesn’t detract from the way that DHAMAAL is a complete ‘paisa-vasool’ film. Watch out for the scenes where Arshad and Javed take car lift first with a Bengali followed by a Tamilian. Riteish’s impersonation of Late Sanjiv Kumar is stunning while Arshad’s count of a vehicle’s speed required hopping over a bridge which executes a good amount of laugh.